She was born in Trebic. After studying at the Brno Conservatoire (piano) she continued her studies in solo singing at the Academy of Early Music in Brno and choir conducting at Charles University in Prague under Jiří Kolář and Marek Štryncl (Gregorian chant under David Eben). Then she studied solo singing at the Faculty of Arts of the University of Ostrava. She is a graduate of many courses in early music performance.

As a member and soloist of many vocal ensembles she has sung in concerts and competitions all over Europe (Italy, Poland, Germany, Austria, Ireland, France, etc.). She is mainly engaged in the period-informed interpretation of music of older styles.

Since 2007, she has been the principal choral director of the Czech Ensemble Baroque, under the banner of which she founded a vocal quintet specializing in high vocal polyphony and madrigal music of the 17th century. In 2017, the Quintet premiered Lukáš Hurník's madrigal cycle Last Summer with Juliet and was the first in the Czech Republic to make a successful debut video for Monteverdi's madrigal Io mi son giovinetta.

As a choirmaster, she has staged a variety of Renaissance, Baroque and Classical vocal-instrumental works, including stage opera productions, as well as purely vocal and a capella programs. The Czech Ensemble Baroque, under the direction of Tereza Válková, has been praised especially for its dynamic expression, the soloistic potential of its individual members and its considerable artistic flexibility. This is also the reason why the choir is able to effectively apply itself in 20th and 21st century works (Orff: Catulli Carmina, Stravinsky: Svaděbky, Martinů: Kytice, Fleischer: Adappa - world premiere opera, Mansurjan: Requiem - Czech premiere, Bernstein: Mass, etc.).

Together with her ensemble, Tereza Válková has taken several workshops with the famous vocal group The King's Singers and individual lessons with Paul Phoenix and Robin Tyson. In addition to her home orchestra, the Czech Ensemble Baroque, the vocal ensemble has also performed and recorded with Musica aeterna Bratislava, the Brno Philharmonic, the Olomouc Philharmonic, the Dama Dama ensemble, the B-Side Band with Vojtěch Dyke, and the Berlin Akademie für Alte Musik.
The ensemble has made numerous recordings for Supraphon, Pentaton music (NE), Evidence classic (FR), European Broadcasting Union, Czech Radio, Czech Television, etc. Since 2008 Tereza Válková has been a lecturer of the choral class at the Summer School of Baroque Music.

was born in 1964 in Kiev. He graduated from the Kiev State Conservatory majoring in choir conducting. At the end of 1980s and at the beginning of 1990s he conducted the choir of the Kiev Polytechnical Institute. He was also singer in the choir of the Kiev theatre. In 1995 he graduated from the Ukrainian National Academy of Music majoring in opera and symphony conducting. In 1995-1997 he was visiting conductor of the Cernigov State Philharmonic Chamber Orchestra, in 1997-1998 he conducted the Rivne State Philharmonic Chamber Orchestra.

In 1998 he became assistant choirmaster and in 2000 chief choirmaster in the National Moravian-Silesian Theatre in Ostrava. He has studied plenty of important musical dramatic pieces with the theatre choir. He has also cooperated with Janáček Philharmonic Orchestra Ostrava and with other bodies; he has been choirmaster and conductor at festivals and on stages abroad.

As for his teaching experience, he was outside teacher of choir conducting and music theory at the Kiev conservatory in 1991-1995; and since 2000 he has been outside teacher at the Music Education Department at the Ostrava University (he teaches choir conducting, orchestra conducting, score reading, music theory for choirmasters). He is art director and choirmaster of the Ostrava Lady Teachers Choir that gained many awards and prices at international competitions and festivals (2003 – Olomouc, 2006 – Debrecen, 2008 – Praga Cantat, 2009 – Canti Veris Praha etc.)

Je zakládajícím sbormistrem pěveckého sboru Cantica laetitia, který vedl do roku 2022, současně řídí i další pěvecká tělesa (celorepublikový sbor Moraviachor a Sonet Vsetín a Český sbormistrovský sbor). Odborná vzdělání získal na Církevní konzervatoři v Kroměříži. V letech 1998-2004 působil jako sbormistr při Filharmonii Bohuslava Martinů Zlín. V roce 1998 založil dětský pěvecký sbor Cantica Zlín, z jehož absolventů se v roce 2004 utvořilo pěvecké těleso Cantica laetitia. Se svými sbory získává přední ocenění v domácích i mezinárodních soutěžích. (laureát soutěží: Praha,Olomouc, Žilina, Bratislava, IFAS Pardubice. Prijedor-Bosna a Hercegovina, Maasmechelen-Belgie, Varna Bulharsko, Bielsko Biala, Krakow - Polsko, dvě 2. místa - Spittal an der Drau. 3. místo – Llangollen, 3. místo.- Baden) Je často zván, jako lektor sbormistrovských kurzů a  porotce národních i mezinárodních sborových soutěžích v České republice i zahraničí. Aktivně se účastnil kurzů AMU Praha (varhanní – Martin Sander, Susan Landale; sbormistrovské – Helmut Frank), sbormistrovských stážích Hochschule der musik Dresden se zaměřením na interpretaci kantát Johanna Sebastiana Bacha (Helmut Riling) a dirigování vokálně instrumentálních děl zaměřených na vrcholný romantismus (Prof Helmuth Rademann). Za dobu svého působení získal Cenu Unie pěveckých sborů – sbormistr – junior (2009), Cenu za příkladnou práci s mládežnickým sborem na FSU Jihlava (2012), Ocenění primátora města Zlína (2014) a Cenu Ferdinanda Vacha (2019). Jedním z jeho projektů byla Dětská opera Zlín (2011-2016), se kterou provedl např. operu B. Brittena Malý kominíček nebo Broučky Václava Trojana. Jiřího Temla Čert a Káči. Je členem odborných rad Nipos-Artama pro dětské sbory a sbory dospělých. Je korepetitorem a dirigentem v Městském divadle. Zlín.

Luboš Hána (* 1973) was "bred" by the Ústían Faculty of Education, where Prof. Tomáš Fiala and Prof. Jiří Holubec tried to instil good choral manners in him. For more than twenty years he has been trying to share with students his experiences with music gained at various choral competitions, workshops, festivals and projects. Despite his warm relationship to classical choral music, it is always in the end popular music that is characteristic of the choirs he works with (VENTILKY Chamber Choir - ZUŠ Jirkov, NONA Chamber Choir - PF UJEP Ústí nad Labem). He is the spiritual father of the Jirkovský Písňovar choral festival, which is focused (how else...) on popular music.

Born in Granollers in 1970, he studied choral conducting with Enric Ribó, Conxita Garcia and Christian Grube. Since 1995, he has been the artistic director of the Societat Coral Amics de la Unió, a prestigious choir school in Granollers that has more than six hundred and fifty students and ten active choirs.
In this institution, he conducts VEUS - Cor Infantil Amics de la Unió - formed by 60 white voices between 12 and 18 years old - and the Cor de Cambra de Granollers, a mixed choir of 40 members. Both choirs are resident formations at the Teatre Auditori de Granollers since 2017.
These choirs have performed in the stable seasons of the Palau de la Música Catalana, L'Auditori de Barcelona and the Gran Teatre del Liceu, where he has collaborated with renowned conductors such as Edmon Colomer, Jordi Savall, Lluís Vilamajor, Robert King, Manel Valdivieso, Álvaro Albiach, Pablo González or Rubén Gimeno. He also regularly conducts international concerts and tours, all over Europe and from August 2017 also outside the continent.
He is regularly invited as a conductor to workshops and international choral festivals. Among the last participation we can highlight the EUROTREFF 2017 festival in Wolfenbüttel (Germany), Europa Cantat 2018 in Tallinn (Estonia), where he did a workshop with the Hungarian director József Nemes or the 6th Choir Meeting "El Canto Nos Une" in Colombia the September 2018.